How one of the strings
of the Bhutanese lute was lowered
The Dramnyen The Bhutanese dramnyen or lute has the distinction of having six and half strings, referred to as drays, which denote seven different scales.
The Dramnyen The Bhutanese dramnyen or lute has the distinction of having six and half strings, referred to as drays, which denote seven different scales.
How one of the strings got lowered is recorded
in an oral folklore, which master traditional musician, Ap Dawpey (85), is
familiar with.
Once there lived seven dakinis. In
spring, they would descend to earth and bathe in a pool in the middle of a lush
meadow bordered by snow peaked mountains.
Near the meadow lived an orphan. The
young shepherd used this idyllic land as pastures for his sheep.
One day, after taking a nap under a willow
tree, the shepherd woke up to find a lute next to him. He plucked a
string and a beautiful melody flowed forth. Enthralled he plucked more
strings and enjoyed the sound it produced.
Excited with his new toy, the shepherd
immediately rounded up the sheep to take them to the barn. On the way
home, he crossed the pool and saw seven beautiful women bathing in the pool,
but showed no interest in them.
After putting the sheeps in the barn, the
shepherd hid his new possession in the attic. Every night, he climbed to
the attic to play the lute at midnight.
The youngest dakini allowed the orphan boy to
keep the lute, on the condition that under no circumstances was he to play the
instrument or show it to other people. Every night he was to play it only
for her, and beckon her by strumming the lute.
So every night the dakini would sneak to the
attic and spend the night, listening to the young boy play the lute. At
the sound of the rooster, she would disappear.
As the story goes, the blessings of the lute
made the poor boy rich. He became as rich as the king in his
valley. In the same valley, but across the river, lived a powerful king,
who fathered the most beautiful women in the kingdom.
Every night, the music flowed into the air,
and the wind carried it to the kingdom. Soon the music enveloped the
princess and she would spend the whole night listening to the music.
On her 21st birthday, the king wanted the
musician to play for his daughter, and sent men across the river to look for
the musician. The king built a bridge over the river, and the princess
started visiting the musician and called him uncle.
The princess also arranged archery matches for
the man, who loved to sing and dance. The princess inspected his house,
opening and closing the door several times, and noticed a lute behind the door.
In her joyful mood, she strummed the lute and
the dakini appeared. Realizing the presence of other people the dakini
immediately cut all seven strings of the lute and disappeared.
That night, at the stroke of midnight, the
shepherd picked up his lute and noticed that all the strings had been
cut. Before he knew it, he started to become poor and, in a short time,
had nothing.
The next spring, he hid in the meadow and
waited for the dakinis to take their bath. The young man confronted the
youngest dakini and pleaded, “Please put back the strings,” to which she
replied, no.
The young boy was adamant and persistently
pleaded. The dakini reasoned, “If I hadn’t cut the strings that day, I’d
have died because of the impurity caused by betrayal.” Later, the dakini
consented to string the lute, but lowered one to indicate a breach of trust.
Why Crocodile?
All the old lutes in the country have a
crocodile carved as the head. Ap Dawpey explained why traditional lutes
have this animal.
In the old days, all
lute players went insane. No one knew why, so they consulted Sha
Gyalp (King of the East).
According to Bhutanese myth, each direction
has a king, whose responsibility is to protect the kingdom.
For example, the king
of the east is known as the Sha Gyalp’s and it is said that
his voice was so powerful that every time he spoke it would destroy anything
that came its way. As a result, he had to remain silent until he
discovered that he could convey his information through the lute.
So the Sha
Gyalp used the dramnyen to relay his messages, even
though he was neither a great musician nor a singer.
Through the lute, the Sha
Gyalp explained the melody of the lute had attracted demons.
Like the people, the demons also became enthralled by the music, and they would
come as close as the knees of the lute players.
Since they were invisible, the lute players
never noticed but, because of the negative energy anyone in their proximity,
would go insane.
As a remedial measure,
the Sha Gyalp instructed that all lute to have the head of the
crocodile with horns and beaks as a figurehead to ward off negative forces.
This way, even if the melody of the lute would
attract demons, the sight of the crocodile would keep them at a safe distance.
Today, however any of the modern lutes have
heads of different animals that has Ap Dawpey very concerned.
Source Kuensel